Releases

Powers / Rolin Duo - S/T ()

LP edition of 400. Repressed in Pink Vinyl. $21 Hot on the heels of last year’s Matthew J. Rolin LP (FTR 502), here is a new duo recording featuring Rolin’s acoustic twelve-string and the hammered-dulcimer of Jen Powers. They’ve had a couple previous cassettes, but I’ve never seen ’em! If you have, I can offer you something fine in trade. As with his first LP, Rolin’s command of his guitar is quite wonderful to hear. He uses the whole breadth of the twelve-string’s harmonic potential, which creates a wide surging stream of sound. Powers’ work with the hammered dulcimer (an instrument we hear far too rarely these days!) utilizes a similar approach, which means we are afforded access to wide… Read more »

Pelican Movement - Fistful Of Ivy ()

LP Black Vinyl / Gatefold. Edition of 269. Includes a digital download and an 11″ x 17″ color poster made in collaboration with poet, D.S. Jenkins. BLACK VINYL – $25 Fistful of Ivy is the debut LP by a loosely floating aggregation of individuals, brought together by musician/producer Kevin S. McMahon, at whose New Paltz NY studio it was recorded. The concept for Pelican Movement arose a quarter century ago, but the only previous graspable evidence of its existence is half of an obscure 7” from 2015. Fistful of Ivy will be most listeners’ introduction to Pelican Movement’s sound/image, and the LP is as fine an intro to anything as could be imagined. The album began as an instrumental suite… Read more »

Ned Collette - Jokes and Trials ()

LP Edition of 400. Co-Released with Sophomore Lounge. Bandcamp. OUT OF PRINT What a pleasure it is to bring you the first vinyl version of Jokes and Trials, the 2006 solo debut by Melbourne’s Ned Collette, whose incredible song cycle Old Chestnut (FTR362) and brilliant instrumental album Afternoon-Dusk (FTR468) have been widely and correctly lauded as classics. As Mark Harwood explains in his excellent liner notes, Ned emerged from the Melbourne improv underground along with people like Will Guthrie and Joe Talia. Indeed, it was Talia who turned Ned onto Jim O’Rourke’s 2001 classic, Insignificance as a way of demonstrating possible connections between pop song form and avant garde strategies. Ned’s own first moves in this direction built around loops…. Read more »

Jon Collin - QuaranTunes Series No.030 ( / )

12″ Lathe Edition of 24. Numbered. Loose-leaf cover / back art printed at LOOKYHERE. Bandcamp link OUT OF PRINT  On the evening of Friday Nov. 6, 2020, the British guitarist, Jon Collin, played this bracingly original set of guitar music. Unlike the three LPs of his we have released (Water & Rock Music Vol. 1 FTR399, Vol. 2 FTR418, and Vol. 3-4 FTR534), this session was not done in the outdoors. Rather, it happened in the basement of a friend’s place in Stockholm, amidst a tableau filled with water pipes, electrical doodads, and lots of the other kinds of things with which basements are rife.  It’s hard to know whether his surroundings defined the parameters of his music, but Jon’s… Read more »

Frank Hurricane - QuaranTunes Series No.036 ( / )

12″ Lathe Edition of 19. Numbered. Loose leaf cover / back art printed at LOOKYHERE. OUT OF PRINT Just like everyone else Frank was more or less locked in place in the spring of 2020.  With a new record coming out and plans to take his first consistent backing band in years on tour, the pandemic brought Frank’s juggernaut energy to an unheard of stop.  From the first seconds of franks broadcast from his bedroom he comments on the strangeness of the situation as a “haunted zoom meeting, then starts into creekside cooler, a vibed out groover of his latest full length studio record and his first with a solid, gig hardened backing band.  Though I love the full band… Read more »

Sophie Cooper - QuaranTunes Series No.34 ( / / )

12″ single sided lathe Edition of 28. Numbered. Loose leaf risograph cover / back art printed at LOOKY HERE. Bandcamp Available on our ftr bandcamp. Sophie Cooper is  one of Yorkshire’s pre-eminent underground musicians. She can create anything from floating folk harmonics to ghastly noise manipulations, whilst appearing to have a most excellent time doing whatever it is she’s up to . I’ve heard Sophie play in more formats than I can easily recall, and she has released a couple of prior albums with Feeding Tube — Divine Ekstasy (FTR342, a sumptuous duo with Delphine Dora) and Plutonic Shine (FTR499, a sort of post-industrial psych LP by The Slowest Lift, her amazing partnership with VCO’s Julian Bradley).  Sophie promised us… Read more »

Omeed & The Natural Scene - Pickled Dawn ( / / )

Second Pressing. $20 LP Edition of 300. Included DL. Cover art by Hannah Brookman No stranger to the Berkshire Mountains, Omeed Goodarzi comes at it in full on send it mode, with this yester-Moro-mobile of an album…. “Keep your eyes on the ball. Make it large make it small.” “Floating through the air, I don’t know how not to sing.” Loaded to the hilt with hard hitting session folk, Omeed’s latest offering is a roiling boiling psychedelic Partch-pop Beatleboro-Freel-Volk masterpiece from the second anyone’s flip flop even threatens to drive a rhythm into the rug. Upon arrival to the studio, Chris Weisman, Mia Friedman, Max Goldstein, Nick Bisceglia and Ruth Garbus were presented with the chord charts to Omeed’s carefully… Read more »

Ned Collette - QuaranTunes Series No.026 ( / )

12″ lathe Edition of 24. Numbered. Risograph Loose leaf cover and back art printed at LOOKYHERE. also available at bandcamp. OUT OF PRINT Australian ex-pat, Ned Collette, came to our attention via circuitous routes, but the song cycle he created for Old Chestnut (FTR 362) was a classic of avant folk form, and its instrumental follow-up,  Afternoon—Dusk (FTR 468), was brilliance of an entirely different type. Thus, when we asked him to participate in the QuaranTunes series, on Friday Oct. 9 2020, we had no idea what he’d be doing. We just knew it’d be damn good. And we was right! Playing acoustic guitar Ned started off with a new vocal tune, then played his way through classic tracks from… Read more »

Thurston Moore - QuaranTunes Series No.33 ( / / )

12″ Single Sided Lathe. Numbered. Edition of 37. Loose leaf risograph cover / back art printed at LOOKY HERE. OUT OF PRINT Still drenched in the grease of a traditional Thanksgiving goose, Thurston Moore appeared to us on the evening of Friday November 27, 2020. Sitting in a bedroom in Bethel CT, he whipped out an acoustic guitar, and proceeded to serenade us with the first instrumental preview of a work in progress.  “Son, You Jest” is the working title of Moore’s “rock opera” (he prefers the term “song cycle”) about Lou Reed’s 1959 electroshock sessions. The piece presented here is “Connecticut Heaven,” which was a phrase that repeatedly appeared in Reed’s journals of the era. It presumably refers to… Read more »

Shane Parish and Michael Potter - Live at the Crow’s Nest ( / )

7″ Lathe. Numbered. Edition of 23. Risograph cover and back printed at LOOKYHERE. Lovely compact duo set for acoustic & electric guitars with ambient sound. Both Shane and Michael are guitarists based in Athens GA, sharing an approach to the instrument that rolls seamlessly from folk to rock to experimental. Potter also runs the Garden Portal and Null Zone tape labels, and Parish’s past efforts range from the frenzied splut of Ahleuchatistas to a delirious solo meditation for John Zorn’s Tzadik label.  Playing at a hometown spot, The Crow’s Nest (an outdoor pavilion at Sandy Creek State Park) Potter & Parish combine drones, figure eights, and hard plucks with the song of little golden birdies (as well as the sounds… Read more »