LP Edition of 500.
Release Date – August 28th, 2026 – Preorder Available – $25
There are fewer great guitar trio records than you’d suspect. Guitar duo sessions are far more abundant, and these three players have all done their share of those. But the dynamics of a trio are more fickle. And when creating collaborative non-hierarchical music, maintaining a balance between three distinct voices is not easy. It requires rapt attention, a fearless approach to entering the unknown, and very good ears to do it successfully. Clearly, Connors, Vallera and Sharp display mastery of all of these conditions and then some.
Recorded live at P.I.T. (Property Is Theft) in Brooklyn, When the Moon Is New documents the first meeting for the trio. Loren and Elliott, two of the best known experimenting guitarists on the planet, have a long shared history, dating back to the days of the legendary Chapel Arts Center in New Haven. Elliott appeared there regularly and often did some jamming with Loren on those occasions. Michael Vallera is from a different generation and came of age in a world where players like Loren, Ellliot, Keith Rowe and Derek Bailey had already blown apart any and all notions of the guitar’s limitations. His work explores textures, colors and possibilities born from the knowledge that there are no limits to the guitar’s sonic possibilities.
Together, the three create a beautifully layered universe of sound, as wide open and cosmic as recent images from the Webb Space Telescope. Occasionally I think I can ID some complex pluckery as Sharp’s, some blues-canted shimmer as Connor’s or some mutli-valent sound sheet as Vallera’s, but in truth, this is a excellent example of “fourth mind” creation in the Burroughsian sense. The individual parts played by each of artists combine themselves into something much larger than three commingled streams. There’s a gigantic heft to the collective sound that will bowl you over in the best possible way.
A truly magnificent record, When the Moon Is New, is an immersive and joyful example of experimental music at its most inviting and evocative. If it doesn’t thrill you, I don’t know what would.
-Byron Coley, 2026
